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Founded in 1976, GALA Hispanic Theatre has long been a
groundbreaking and energetic “theater with a different accent,”
presenting classical and contemporary plays in Spanish and
English, plus an accompanying program of dance, music, poetry,
spoken word, art and, more recently, film.
In January 2005, after 29 years of moving between venues, GALA moved into its permanent home in the historic and newly
renovated Tivoli and established itself as A NATIONAL CENTER FOR
LATINO PERFORMING ARTS.
A dream come true for GALA founders Hugo and Rebecca Read
Medrano and their legion of supporters, the move heralded a new
era in their crusade to preserve and promote Hispanic language
and culture.
GALA sprung indirectly from Teatro Doble, a bilingual children’s
theater working out of Back Alley Theater in Washington, DC. In
the early to mid 1970s, Teatro Doble was the only Washington
theater catering to Spanish-speaking audiences. Hugo Medrano,
Rebecca Read, and other Latino performers with Teatro Doble
talked about forming an Hispanic theater that could fill the
cultural void and embrace a larger audience. Before long, GALA (Grupo de Artistas Latino Americanos - Group of Latin American
Artists) was born.
From the beginning, GALA had two primary goals: to bring Spanish
and Latin American plays to the attention of Spanish-speaking
people in Washington, DC; and to make the English-speaking
public aware of the richness and variety of Hispanic theater.
Through its diverse and innovative bilingual programming, the
theater has fulfilled these goals year after year. GALA has
become what many consider the country’s leading Spanish-language
theater, winning a loyal following and scores of awards.
Unlike many areas in the United States, Washington has never
been representative of one Hispanic culture. GALA’s principal
audience, as well as its actors, have been Argentines, Mexicans,
Spaniards, Chileans, Uruguayans, Paraguayans, Peruvians, etc. As
a result, GALA has had to respond to issues and concerns of the
Latino world at large. For GALA, the unification of its audience
has been a paramount objective. “GALA is not Spanish, nor
Argentine, nor Puerto Rican,” Hugo Medrano has said. “It is
Latino in the fullest sense.” As such, each season GALA has
included productions that appeal to a wide range of
nationalities and backgrounds.
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